ABOUT

My international training and career as a dancer brought diversity to my knowledge and language of movement as a classical ballet choreographer. Music, dance and passion is in my blood... I am Brazilian. 
 
Ricardo Amarante

Ricardo Amarante began training in Brazil and went on to complete his studies at the National Ballet School Cuba and English National Ballet School. The following year, he worked with the prestigious Paris Opera Ballet and the Jeune Ballet de France. In 2000, Ricardo joined the Royal Ballet of Flanders working as a soloist from 2008 -2016. He has performed in all the major classical repertory and worked closely with choreographers like Christopher Dámboise, William Forsythe, Marcia Haydee, Hans van Manen, Jiri Kylian, Nicolo Fonte, Jorma Elo just to name a few.

 

Ricardo developed his interest in choreography with the Royal Ballet of Flanders in Antwerp, creating numerous short works. He restaged several of his ballets for Ballet Dortmund in Germany, Royal Ballet School of Antwerp, Paluuca Shcule in Dresden and the English National Ballet School. The critical and public success of ballets Love Fear Loss and Experiencing the Divine led to many invitations for galas around the world. March 2014, Ricardo was invited to participate in the New York City Ballet's Choreographic Institute, where he created the ballet Essential shift with specially composed score by Sayo Kosugi. That same year he was commissioned for the Genée International Ballet competition by the Royal Academy of Dance. Ricardo was also nominated for the Rolex mentor and protege initiative choreographer. 

In May 2015, the Royal Ballet of Flanders presented the world premiere of In Flanders Fields with music composed by Sayo Kosugi. Reviewed highly successful by world leading dance magazines like Dance Europe, Dancing Times, Danse Magazine and the Financial Times.  Ricardo was also mentioned as choreographer to watch in the Dance Europe Magazine critics choice awards. Ricardo's ballet Gaia for Astana Ballet premiered February 2016. The same year here received a prize from the French Foundation of Dance for his ballet Love Fear Loss. June 2016, Ricardo was invited to judge at International Ballet Festival in Goiana, Brazil. Several of his ballets opened the festival at the International Ballet Gala. 

Due to great success of Gaia for Astana Ballet, it was invited to perform at the Mariinsky Theatre, St Petersburg as part of the White Nights Festival, July 2016. Ricardo also commenced his role as resident choreographer and artistic associate for Astana Ballet September the same year. At the 2016 International Ballet Competition Astana, he also received the best choreography award for his ballet Bach. Astana Ballet has since performed his ballets Love Fear Loss, Gaia, A Fuego Lento, Diversity and Touch of Illusion around the world at leading Theatre's and Festivals in New York, Paris, St Petersburg, Tokyo,  London, Brussels, Warsaw, San Francisco and many more. The pas de deux She premiered Women's Day in Astana March 2018. Ricardo's first full length story ballet Giselle for Astana Ballet had its world premiere June 23, 2018 at the Astana Ballet Theatre, Kazakhstan. In April 2019 was the world premiere of Bodies in Bolero to the music of Ravel for the Abay State Opera and Ballet who later in September successfully toured the ballet in France. The National Ballet of Cuba performed Love Fear Loss  in October 2019 for the first time and Ricardo dedicated the performance to the late Alicia Alonso. 

 

The PremiereRicardo's first creation in the USA for Atlanta Ballet, premiered August 14, 2018. 

Ricardo Amarante's ballet is proudly neoclassical, a relief in present times. - Financial Times

Amarante marvelously succeeds in taking the audience on an emotional rollercoaster. - Flanders Today

Impassioned choreography, emotional intensity and a masterful commissioned music. - Danse Magazine Paris

© 2019 by DNJ Arts Management.    Photo credits Alain Honorez  Askhat Nurekin - David Herrero - Marc HaegemanJack Devant